Crisis ist eine US-amerikanische Fernsehserie, die von Rand Ravich entwickelt wurde. Produziert wurde die Serie zwischen 20von 20th Century. serieone am Die ProSiebenSat.1 Group prüft momentan, wann und wo die erste Staffel der US-Serie «Crisis» zu Ende gesendet wird. In der neuen Krimiserie Crisis muss die FBI-Special-Agentin Susie Dunn einen entführten Schulbus mit Eliteschülern wiederfinden. Der neue.
Crisis - KritikHammer Serie, leider habe ich heute gelesen, dass es keine weitere Staffel mehr geben soll, angeblich waren die Quoten so lahm. Was ich echt nicht verstehe. Von der US-Serie Crisis wurden 13 Episoden produziert. Die amerikanische Fernsehserie kommt auf insgesamt eine Staffel. Die letzte Episode, die in den USA. Crisis ist eine US-amerikanische Crime-Drama-Serie aus dem Hause NBC, die sich um Secret Service Agent Marcus Finley dreht, der gemeinsam mit seinem.
Serie Crisis Navigation menu VideoCrisis Season 1 Episode 3
Die Serie Boston Legal erschien Serie Crisis Jahre 2004. - Crisis – CommunityDermot Mulroney. Während eines Schulausfluges wird der Schulbus einer renommierten Eliteschule entführt. Die Drahtzieher halten die Schüler als Geiseln, darunter befindet sich auch der Sohn des Präsidenten der Vereinigten Staaten. Ein Team von Secret Service. Crisis ist eine US-amerikanische Fernsehserie, die von Rand Ravich entwickelt wurde. Produziert wurde die Serie zwischen 20von 20th Century. Crisis in Six Scenes ist eine US-amerikanische Miniserie, die von Woody Allen geschrieben wurde und seit dem September auf Amazon Video. serieone am Die ProSiebenSat.1 Group prüft momentan, wann und wo die erste Staffel der US-Serie «Crisis» zu Ende gesendet wird.
As soon as the focus shifted to the parents, it became tedious and un-inspiring. Even Anderson's character has been pretty much in invisible since those first couple episodes.
I compare "Crisis" to a show like "Intelligence" on CBS. Both shows were also advertised as something almost completely different from what they turned out to be.
Much like "Intelligence", I would be surprised if "Crisis" gets a renewal for a second season. It just doesn't differentiate itself enough from other similar "stock" fare on television these days.
Zach K. Jun 03, One good scene that looks to be setting up an excellent story and plot can't save the show. The way it's made doesn't work with the type of show it wants to be.
It's very boring, and kinda cheesy. Seems content to coast on the one scene that was good. There's one decent twist in the first episode, but it wasn't executed well which made it worse.
This was very disappointing, especially because that first scene was so great and showed so much potential, but then they reveal why it happened and it's just so stupid.
Andruw F. Nov 16, A shamed that got canceled. Sebastian K. Jul 22, Crisis is sappy, cheap and gloriously stupid, although it had its fun moments the pilot is decent and so are the first episodes.
The characters are shallow and the plot is utter unbelievable. It fits somewhere between Hostages and The Following - meaning: it sucks. Gabriel P.
Jun 26, Liked the characters and the intricate set up. Cynthia M. Jun 23, Series Finale!!! The show has a very good premise!
It's CANCELLED after a half first season! Jun 09, I love it!!!! I want to see more! Val S. Jun 02, The plot would be OK for 1 or 2 episodes but hard to see how the same "parent mission" routine can be repeated for all children.
After the cancellation the writing took a serious down turn, with super convenient developments and ludicrous situations like the guys in the bar all pulling weapons on a tactical squad fully armed Machu O.
May 30, Too bad spring shows are always cancelled before they can find an audience. This show wasn't that bad. James W.
Apr 01, There's just not much to like here at all. Bad writing and unintelligent characters are off putting. Ethan H.
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Fate: The Winx Saga. Centers on an idealistic Secret Service agent who finds himself at the center of an international crisis on his first day on the job.
In his search for the truth, he will have to cross moral and legal lines as he navigates the highest levels of power and corruption.
Written by NBC. I watch this series only for 4 episodes and I think this is a good series. The story is good, fresh and entertaining.
The conflict is good and the actors are also good. I'm not a feminist or else but the cast for agent Susie Dunn should be someone with more emotion to the story, knows about government agent stuff and etc.
I also think that Rachel Taylor is more suited in other role than becoming the main character. If only the main character was played by other female actor it would make a better show.
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Not wanting the soldiers fall into CIA hands, Dunn and Finley create a diversion to take the soldiers themselves, but the doctor drugs them.
They are able to turn the tables when they come-to, ultimately finding through Meg that the doctor's real name is Jonas Clarenbach, who ran a pharmaceutical division at her company that had a defense contract.
Jonas is seen calling Widener from a pay phone, saying he never wanted to be involved. The two agents raid Clarenbach's home and find a photo of him with Gibson and the two soldiers.
Dunn wonders aloud if Gibson is a hostage or the kidnapper. Gibson is able to abduct the soldiers through Koz, who poses as a police officer warning the transporting CIA agents of a downed power line.
At the compound, Kyle demands to see Hearst, still convinced that his family's personal security agent would never be involved in this kidnapping.
Gibson threatens the life of Hearst and his daughter to get Hearst to tell Kyle his security detail was "just a job" and that the kidnapping is his new job.
Dunn and Finley know that the kidnappers are monitoring parent meetings in the Ballard school auditorium, and devise a plan to reveal the location of a CIA file that Dunn is holding.
The ruse works, as Gibson sends Koz to take photos of the file's contents and transmit them. He also convinces Koz to stay on the project by giving him the opportunity to kill the FBI agents who shot his brother.
Dunn and Finley tail Koz to a gas station, which they find odd because he would certainly have fueled up before his latest task.
They investigate the now-abandoned station, finding nothing. Meanwhile, a drone has tailed Koz's car to what they think is the kidnappers' hideout, and agents confirm that one of the Ballard school kids, Taylor Bennett, is inside.
Storming the building, they find several mannequins but only two humans: Taylor and his father, whose assignment from Gibson was to take the place of Koz in the car.
Dunn and Finley see Koz, who was hiding in an oil pit, emerge from the garage and leave in another car.
Koz lures them to a building where a struggle ensues. Finley gains the upper hand, but Koz says he'll have to let him walk because he knows where there is a vehicle with one of the kidnapped children in the trunk.
Meanwhile, Meg meets with Clarenbach. They discuss an affair they had, before moving on to the project Jonas was working on with Widener. Jonas begs Meg not to turn him over to Widener, but Meg reveals she has already done so for the sake of her daughter.
Dunn and Finley return to the Ballard auditorium, and announce to Gibson's camera that they know about Widener's illicit operations with the drugged soldiers, and can help Gibson stop him.
Gibson contacts Dunn and Finley, and they plead with him to use them instead of parents, revealing they picked up a "Station Orange" code from the two soldiers.
Gibson assigns them to retrieve a man from a certain house, and the agents find Widener's mysterious accomplice, Thomas Jefferson "TJS" Smith Fred Dryer awaiting them.
Finley calls in some favors with the local police and fire departments to get TJS to leave, and they discover Jonas Clarenbach in the basement.
Taking Clarenbach to their own hideout, they become targets for Widener and TJS. At Gibson's compound, one of the drugged soldiers awakes, just as Dutton deciphers the Station Orange code—it is the newly-drugged soldier's next orders: to free the hostages.
Thayer, the awakened soldier, does major damage to Gibson's war room and takes out several henchmen. One of the fallen men dies in front of Kyle, who takes the man's gun and pockets it in view of Beth Ann.
Thayer releases Hearst, who walks out clutching Gibson and pointing a gun to his head. Hearst calls out for Kyle, who shoots Hearst before he can reveal that Gibson is the mastermind.
Koz shoots and kills Thayer despite Gibson's plea that he wanted the soldier alive. Just as Finley and Dunn revise their deal with Gibson, Dunn gets a call from TJS, who says he will kill Meg if they don't turn over Clarenbach.
Sarah Pia Anderson. To get Jonas Clarenbach back for Widener, TJS abducts Meg and tries to make a deal with Agent Dunn for her sister's life.
Finley has Clarenbach look at what the FBI currently has on the kidnapping, and Jonas is able to positively identify Gibson's hideout.
With his hideout and team in shambles, Gibson vows to expose Widener before the kidnap operation is finished, and needs Clarenbach to do so. Finley and Clarenbach take off for the location, but Gibson has just made a deal with a mercenary group leader named Jakob Vries Arnold Vosloo to bring him Clarenbach at any cost, in exchange for the release of Vries' daughter.
Vries and his team force Finley and Clarenbach to flee on foot. With both Widener and Vries after Clarenbach, Finley's only hope is to pit the two against each other, with Dunn's assistance.
Despite their best efforts, Clarenbach ends up in the hands of Gibson. Vries gets his daughter back, and is immediately arrested by authorities.
At the hideout, the kids in the sealed room hear bits and pieces of the abduction team's conversation through an old intercom they have found, but not enough for Beth Ann to discover her father's involvement.
Nash devises an escape plan and tells Amber, but he is accosted by another guard, who stabs him. Amber knocks out the guard with a shovel, then turns to see that Nash has died.
While in the bathroom, Ian discovers the secret passageway to the control room that unknown to him Gibson has been using. Gibson needs Clarenbach to produce the drug that was used on the soldiers as part of his plot to ruin Widener, but Clarenbach says he needs 12 hours.
Knowing that special forces are descending on the hideout, Gibson needs to buy time. He phones Jin Liao's father, but immediately asks for the mother, Xao Liao, to negotiate Jin's release.
Unknown to the father, Xao is a Chinese spy. Xao releases a computer virus that takes out the power grid and kills all standard communications in D.
This is considered an act of war, so the President mobilizes ships and jets around China, as Olsen orders Finley and Dunn to find Xao.
When they finally find her, she is steadfast in her resolve to get her son back. They take her to a hospital, where she sees dozens of people suffering from her actions, and she is informed that 75 people are known to have died already.
For the greater good, she disables the virus, knowing this action may kill her son. An irritated Gibson says that Xao has failed, and the parents of the remaining children must see what happens when they fail.
Ian looks through the passageway as Gibson tells Jin, "They made me do this," before shooting him in the back.
Dunn and Finley respond to a call from a farmer, who has found the body of Jin Liao in a barn with a sign attached to his chest reading, "My mother failed.
Troops have begun closing in on the hideout again, and soon identify the exact building.