The Look Of Silence [OV]. (51)IMDb 8,31 Std. 39 Min Durch Joshua Oppenheimers filmische Arbeit mit den Verantwortlichen des Genozids in. Und so beginnt The Look of Silence mit einer aus The Act of Killing vertrauten Situation: Adi sitzt vor dem Fernseher und schaut sich das mit den Tätern gedrehte. The Look of Silence ist die Fortsetzung zu Joshua Oppenheimers gefeierter Dokumentation The Act of Killing. Statt auf die Täter wird diesmal allerdings di.
Kritik zu The Look of SilenceIm Oktober kommt in Deutschland der Film "The Look of Silence" ins Kino, nach "The Act of Killing" der zweite Dokumentarfilm von. Und so beginnt The Look of Silence mit einer aus The Act of Killing vertrauten Situation: Adi sitzt vor dem Fernseher und schaut sich das mit den Tätern gedrehte. Kino-Doku "The Look of Silence" Ohrenbetäubende Stille. Mindestens Menschen sind in den Sechzigern in Indonesien grausam.
Look Of Silence Synopsis et détails VideoThe Look of Silence - POV - PBS Der Genozid der 60er Jahre ist für die Bewohner Indonesiens noch immer aktuell. Tür an Tür leben die Opfer mit den Mördern ihrer Familien, die bis heute nicht zur Rechenschaft gezogen wurden. Der Regisseur besucht solche Opfer-Familien und fragt. The Look of Silence ist ein dänischer Dokumentarfilm von Joshua Oppenheimer aus dem Jahr Er behandelt das Massaker in Indonesien – und. easyorlandovacationsonline.com - Kaufen Sie The Look of Silence (OmU) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. The Look Of Silence [OV]. (51)IMDb 8,31 Std. 39 Min Durch Joshua Oppenheimers filmische Arbeit mit den Verantwortlichen des Genozids in. If The Act of Killing was about the identity of a nation who perpetrated a genocide, The Look of Silence is about the other identity, the one that genocide was designed to erase. January 14, |. The Look of Silence. The follow up to Joshua Oppenheimer's incredible The Act of Killing, which focused on the unrepentant perpetrators of the under-reported (thanks to western support) Indonesian 'Communist' genocide. The Look Of Silence. Topics Indonesian mass killings. A middle-aged Indonesian man, whose brother was brutally murdered in the purge of communists, confronts the. The Look of Silence is Joshua Oppenheimer’s powerful companion piece to the Oscar®-nominated The Act of Killing. Through Oppenheimer’s footage of perpetrators of the Indonesian genocide, a family of survivors discovers how their son was murdered, as well as the identities of the killers. The Look of Silence Independent. A stirring view of the savage murder of an Indonesian man and of his anguished family, living in fearful silence, due to a. Seungri Filme von Joshua Oppenheimer The Act of Killing. Sonst könnten Krimi Ard die chinesischen Händler auf den Märkten nicht abziehen, oder Bauern einfach von ihrem Land vertreiben. Zum Inhalt springen. The Look of Silence. (56) IMDb 1h 43min PG The Look of Silence, Joshua Oppenheimer's unmissable follow-up to his Oscar-nominated The Act of Killing, tells the story of the Indonesian genocide from a different perspective. The Look of Silence is Joshua Oppenheimer’s powerful companion piece to the Oscar®-nominated The Act of Killing. Through Oppenheimer’s footage of perpetrators of the Indonesian genocide, a family of survivors discovers how their son was murdered, as well as the identities of the killers. 9/14/ · The Look Of Silence. Topics Indonesian mass killings. A middle-aged Indonesian man, whose brother was brutally murdered in the purge of communists, confronts the men who carried out the killings. Addeddate Identifier The_Look_Of_Silence Scanner Internet Archive HTML5 Uploader Morris has directed over television commercials, including campaigns for Apple, Citibank, Cisco Systems, Intel, American Express, Jace Norman, Target, General Motors, Levis and Miller High Life. Online Film Critics Society Award . Fandango Media. What did you think of the movie? The Washington Post.
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Retrieved 16 March SXSW Film Festival The conversations run the gamut from cathartic to downright frightening one man obliquely hints that he could make very bad things happen to the film's protagonist if he wanted to.
But the reaction from all of the killers is essentially the same: the past is the past even though in Indonesia it isn't , why are you bringing all of this up again, can't we just agree to forget?
Of course agreeing to forget is what makes horrific events like these possible to repeat. The most fascinating interviews are those not with the killers themselves but with the children of the killers, the people who have inherited their parents' legacies on both sides of the conflict and now must make something of the world they share.
In some cases, the children learn details they never before knew and we watch them process them on screen in real time. It's difficult as a viewer to know how to feel about these inheritors of their parents' actions.
On the one hand, they really can't and shouldn't be held accountable for things their parents did when they were children or possibly not yet even born.
On the other hand, like it or not, we all inherit our own histories and have to at least acknowledge them, both the good and the bad, if we are to learn from them.
Both "The Look of Silence" and "The Act of Killing" are infuriating to Western viewers who have been raised to believe that freedom and justice eventually triumph and that evil, either individual or systemic, gets punished.
These are brilliant films, and while they certainly sow doubts in my head about the state of mankind, I feel like a better person for having seen them.
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Plot Summary. Due to the nature of this film it has unfortunately been necessary to credit this remarkable collaborator as Anonymous.
CEO of Spring Films Ltd of London and President of The Royal Anthropological Institute of Great Britain. His debut feature film, The Act of Killing , min and min , was named Film of the Year in the by the Guardian and the Sight and Sound Film Poll, and won 72 international awards, including the European Film Award , BAFTA , Asia Pacific Screen Award , Berlinale Audience Award , and Guardian Film Award for Best Film.
His second film, The Look of Silence , 99 min , premiered In Competition at the 71st Venice Film Festival, where it won five awards including the Grand Jury Prize, the international critics award FIPRESCI Prize and the European film critics award FEDEORA Prize.
Since then, The Look of Silence has received the Danish Academy Award for Best Documentary and the prestigious Danish Arts Council Award.
Oppenheimer is a partner at Final Cut for Real in Denmark, and Artistic Director of the Centre for Documentary and Experimental Film at the University of Westminster in London.
She did EURODOC in and EAVE in Signe has produced documentaries since , first at SPOR Media , then at Final Cut Productions , and then she founded Final Cut for Real in Amongst the films Signe has produced are The Look of Silence , by Joshua Oppenheimer, Last Dreams , by Estephan Wagner, The Act of Killing , by Joshua Oppenheimer Cph Dox Award, BAFTA, Asia-Pacific Film Award, European Film Award and Oscar nomination plus ca.
Signe has also produced and co-directed with Janus Billeskov Jansen Voices of the World and The Importance of Being Mlabri , and in she post-produced the fiction feature Everlasting Moments by Jan Troell.
The Final Cut for Real films are produced in collaboration with Anne Köhncke and the other producers at Final Cut for Real.
Signe has also given lectures at for example EAVE, ESODOC, and Nordic Forum, and was the Danish co-producer for the first Steps for the future project in Southern Africa.
Signe received the Danish documentary award, the Roos Award in He has been responsible for several hundred hours of factual programs for the international TV market and producer or executive producer of fourteen films with Werner Herzog since Lessons of Darkness in Werner Herzog was born in Munich on September 5, He grew up in a remote mountain village in Bavaria and studied History and German Literature in Munich and Pittsburgh.